"Dear Evan Hansen" - 11.16.16/05.25.17

Show/Venue: Dear Evan Hansen at The Music Box Theatre

Date: Wednesday, November 16th, 2016 @ 8pm & Thursday, May 25th, 2017 @ 7pm

Starring: Ben Platt, Michael Park, Rachel Bay Jones, Jennifer Laura Thompson, Laura Dreyfuss, Mike Faist, Kristolyn Lloyd, Will Roland

Website: http://dearevanhansen.com/


I have a difficult time explaining the brilliance of Dear Evan Hansen to my non-theatre friends; the plot is a tough one, but the music is astonishing and the acting is superb, so let me see if I can capture it for you. I started my experience at Evan Hansen, after seeing the show in previews last year, but felt that I could only really write about the emotions after seeing it a second time. This time, I came fully equipped with a pack of tissues and knew that ugly crying would be in order at some point.

In between my two experiences at the show, the cast album has come out, Pasek & Paul have won an Oscar for La La Land and the show has received numerous Tony Award Nominations, including a well-deserved Best Actor nod for Ben Platt.

The show follows anxious teenager, Evan Hansen (Ben Platt, Pitch Perfect, The Book of Mormon), composing a letter to himself, per his therapist’s prescription. His single mom, Heidi (Rachel Bay Jones, Pippin), is encouraging him on his first day of school and that it’s going to be a “good day,” perhaps a “good year,” for them both. Evan is hesitant, as we can feel his anxiety and nervousness, about having to talk to people and be social. Heidi suggests that he can make friends by having his classmates sign the cast on his left arm, which he broke over the summer from falling out of a tree. Heidi emphasizes how proud she is of Evan, which only seems to add to the distance between them. Heidi heads off to work as a nurse’s aide, but reminds Evan she won’t be home that night, since she must attend school. Evan only nods, as it seems he is used to being left at home alone often.

As they struggle to connect, the audience is introduced to the Murphy family: Cynthia (Jennifer Laura Thompson, Nice Work If You Can Get It, Urinetown), Larry (Michael Park, Tuck Everlasting), Zoe (Laura Dreyfuss, Once, “Glee”) and Connor (Mike Faist, Newsies), who are also struggling to relate to one another. The mother’s mutual struggle with their own families is revealed (“Anybody Have a Map?”).

Evan walks into his first day of school and runs into Alana (Kristolyn Lloyd, in her Broadway Debut), an overachieving student, who asks Evan how his summer was, but is quick to speak over him and prove that she had an even busier summer. Evan seems exhausted from this conversation, when he runs into his only friend, Jared (Will Roland, also in his Broadway Debut), who is quick to point out that they are only “family friends,” and he only speaks to Evan, so his parents will continue to pay for his car insurance. Neither of these friends take Evan up on his offer to sign his cast, then as he turns away, Connor rushes into school and pushes Evan to the ground. Seeing Evan get bullied, Zoe, Evan’s longtime crush & Connor’s sister, runs over to check on him. He insists that he is fine, but wonders if he will always feel this alone and invisible (“Waving Through a Window”).

At the of the school day, Evan is in the computer lab, printing out one of his “Dear Evan Hansen” letters for therapy. It’s then that he notices that Connor is also in the computer lab and has found his letter in the printer. Connor offers to sign Evan’s cast, so that they can both feel like they have a friend. Grabbing Evan’s arm, Connor writes “CONNOR” in large letter across the length of Evan’s cast, almost branding him.  Still holding Evan’s letter, Connor begins to read it; noticing that it mentions Zoe and Evan’s feelings for her. Connor takes this as an insult to him and runs out of the lab, taking the letter with him.

Over the next few days, Evan sees no sign of Connor at school and begins to delve deeper into his anxieties. What if Connor uses this letter against him? What if he shares it with the whole school and everyone finds out about his feelings for Zoe? One day, Evan finds himself called into his school Principal’s Office, where he meets Cynthia and Larry Murphy, Connor’s parents. Evan is confused as to why he is there, but Cynthia realizes that she must explain that Connor is no longer with them; he has taken his own life. As Evan starts to absorb this information, Cynthia produces Evan’s therapy letter, which she and Larry believe is Connor’s suicide note. They believe that Evan was/is Connor’s only friend and invite him over to their house for dinner to learn more about their relationship.

Not knowing what he’s gotten into, Evan confides in Jared, who mocks him and knows that he is an awful liar. Jared advises Evan that he shouldn’t try to make up a story, but to just nod in agreement to whatever the family tells or asks of him. Of course, at dinner time, Evan begins to fall apart and makes up a vast story about how he & Connor were friends, best friends (“For Forever”). He tells the family about their adventures, visiting the abandoned apple orchard and the feelings that they would share. Zoe and Larry are skeptical about the whole situation, but Cynthia is clinging onto hope that her son had a friend and some good in his life. In his desperation, Evan tells the Murphy’s that he and Connor had a secret e-mail correspondence and he can share with them their relationship.

As Evan is explaining this to Jared, Jared laughs and is convinced that Evan will never get away with this lie. However, he decides to help Evan make all the fake e-mails, egging Evan on that it sounds like he & Connor had a secret gay relationship (“Sincerely, Me”). It’s here that Connor comes back on stage to sing his “e-mails” to Evan, as Jared types out what they were writing back and forth to each other.

Back at the Hansen’s home, Heidi tries to find a way to relate to her son. She knows that college is impending and that they will not have the money to send Evan to college. She produces a bunch of scholarship applications and promises that they will go through them the next week on “taco Tuesday,” she’ll skip work and spend some time with him. This seems to brighten Evan’s mood, as Heidi leaves him, again.

After working with Jared, Evan brings a stack of e-mails between himself and Connor over to the Murphy’s house at dinnertime. Cynthia is emotional, trying to understand that her troubled son had a friend. Larry is disappointed that Connor never appreciated what they did for him; therapy, rehab, etc. Zoe can’t seem to believe that Connor was ever nice, as he was always awful to her and threatening to kill her (“Requiem”).

After Zoe notices her name in Connor’s suicide note, she asks Evan if there were other things she didn’t know about her brother. Evan tries to conceal his own feelings for Zoe through Connor’s view, but struggles (“If I Could Tell Her”) and his adorations comes out when he leans in and kisses her and she tells him to leave.

Barely a week or two after Connor’s suicide, Evan notices that people at school are starting to forget about Connor, and thus, will forget about Evan. He decides to act and found “The Connor Project” to remember Connor and to help raise money for other troubled teens. Alana and Jared join Evan in the endeavor and get the Murphy’s to help fund the project (“Disappear”).

At the all-school assembly and launch of “The Connor Project,” Evan must give a speech about his friendship with Connor. Evan fumbles with his note cards, shuffling them back to the first, dropping one on the ground and falling onto the stage. He slowly regains his composure and goes on to deliver an inspiring speech about his friendship with Connor (“You Will Be Found”). Evan’s speech goes viral and Zoe slowly starts to realize the impact that Evan has had on Connor and she kisses him.

In the aftermath of Evan’s viral video, Alana and Jared decide to start a Kickstarter campaign to raise money in Connor’s honor. This money will be used to reopen the apple orchard where Evan and Connor used to hang out (but not really). However, Evan starts to spend more and more time with Zoe, thus spending less and less time with “The Connor Project” and his mother. By hanging out with Zoe and the Murphy’s, it’s like he’s found the family that he has always wanted to be a part of. Connor reappears to Jared, proving to Evan that by distancing him from “The Connor Project,” he might be losing his new-found friends, too (“Sincerely, Me [Reprise]”).

When Evan gets home, Heidi confronts him about his relationship with Connor. She tells Evan that she has seen his video about Connor and “The Connor Project” and can’t seem to understand why he wouldn’t share this information with her and how he denied knowing Connor when she asked him about it the first time, weeks ago. Evan then throws Heidi’s constant absences in her face and flees to the Murphy’s house. Once there, he finds Larry in the garage, and they go through a box of old sports memorabilia, looking for things to auction off for “The Connor Project” and the Kickstarter campaign. While going through the box, Larry finds a baseball glove that he’d given to Connor, but was never used. Larry starts to teach Evan about how to properly care for the glove and comes to terms with Connor’s death (“To Break in a Glove”).

A few days later, Zoe finally gets the chance to see Evan’s house and they’re talking in his room. Evan mentioned that they have the whole house to themselves, as Heidi is rarely around; which Zoe seems startled by. Evan begins to talk more about his relationship with Connor, when Zoe interrupts him; she wants the chance to just be with him and not talk about her brother (“Only Us”).

As Jared struggles to stay connected to “The Connor Project,” he points out to Evan that Connor’s death was the greatest thing to happen to Evan, as it increased his popularity. Evan tries to deny it, but deep down he knows that what Jared is saying is true. Evan escapes by hanging out with Zoe and heading to the Murphy’s house for dinner, only to discover that his mom is already there. After hearing that the Hansen’s don’t have the money to send Evan to college, Zoe intervenes and the Murphy’s offer the money that they had saved for Connor’s college education to Evan and Heidi. Shocked that not only did she not know that Evan was spending so much time at the Murphy’s, but that he has shared their money problems with them, Heidi storms out of their house, declining their invitation for dinner.

Back at the Hansen’s home, Heidi and Evan fight. Heidi is upset that her financial struggles have been shared with strangers and Evan blames his mother for never being around, the real reason he’s been spending more and more time at the Murphy’s; they’re the family he has never had. Shortly after, Alana has found several discrepancies in Evan and Connor’s e-mails and she starts to wonder if they were really friends. Evan starts to think that everything is falling apart and he goes to Jared for help, but as Evan left Jared alone before, even he won’t come to the rescue. The three of them lament about how Evan has changed and only been looking out for himself (“Good for You”).

Evan’s guilt starts to mount and Connor reappears, trying to encourage him to keep up the lie. After all, the lie is the only thing keeping Evan popular at school and a source of relief to the Murphy’s, and keeping Zoe with Evan. Evan tries to quiet Connor’s voice in his head, but he’s nearing his breaking point and really wants to come clean about the whole situation.

Desperate to stay in the lie, Evan goes to Alana, who remains cautious about the whole story. In a last-ditch attempt, Evan says that he can prove his friendship with Connor and produces Connor’s suicide note (a.k.a. Evan’s therapy letter). Alana is shocked by the letter and says this is just what “The Connor Project” needs to gain more momentum! They can post the letter online and people will go nuts for it and the money for their Kickstarter campaign will start pouring in. Evan immediately objects to posting the letter, knowing the full truth, but he can’t stop Alana. She posts the letter online and suddenly the Murphy family is thrust into the spotlight. All sorts of bullies come out and start attacking the family for not preventing Connor’s suicide.

Evan arrives at the Murphy’s house to find them all fighting with each other about the bullies, Connor, their family; everything. Becoming more and more agitated with all the yelling, Evan bursts out and confesses that he never knew Connor (“Words Fail”). The family cannot believe what they are hearing from this boy that they trusted and Evan runs out of their house and back to his own.

As soon as he arrives at home, Heidi is waiting for him. She has seen the letter posted online and knew immediately that it was one of Evan’s therapy letters and that something darker was going on with him, something darker than she could ever have known. It’s here that Evan alludes to the fact that he didn’t fall out of a tree last summer, he threw himself off the branch on purpose. To comfort her son, Heidi recalls the day that Evan’s dad left (“So Big/So Small”). It broke her heart when Evan saw the U-HAUL truck come and take his dad away, but when he asked if “is there another truck coming to our driveway? A truck that will take Mommy away?” was when Heidi knew that she would never and could never abandon her son.

Another year passes and Zoe is in the apple orchard, reopened and named in Connor’s honor. It’s here that Evan meets her and they catch up on the last year. The Murphy’s never exposed Evan’s lie, but they haven’t stayed in touch at all. Zoe tells Evan that even if his story was made up, everyone needed that story; it helped bring her family back together. Zoe leaves the orchard and Evan composes another “Dear Evan Hansen” letter, ending on it being a “good day.”

Since seeing the show in November, and then, seeing it again in May, I noticed a few changes; but that could have been since my own experience viewing the show had changed. Going into my first viewing, I had only a basic idea of what the show was about, I only knew “Waving Through a Window,” and knew that Ben Platt was earning rave reviews for his performance. I knew that I was going to get emotional, but I had to focus my attention on catching all the plot points and trying to understand all the lyrics in the context of the story. For my second viewing, I could sit back and enjoy everyone’s performances. Armed with all the songs and lyrics from the cast album, I knew what to anticipate in the story and really sat back to just observe and absorb the show.

During the second showing, I could easily see why all my theatre friends have been going on and on about Ben Platt’s performance. The nervous ticks, the sweaty brow, the ability to cry and to ugly cry, at that. Everyone keeps saying that they can’t understand how he can go through this performance 8 times a week, and he’s been doing it for years! I wonder how he can shed the skin of Evan when he gets home and how he doesn’t carry some of that anxiety with him, wherever he goes.

Laura Dreyfuss’ voice was even more raspy and beautiful than I could remember. I didn’t get to see her in Once and can’t remember her for the life of me on “Glee,” but the quality and tone of her voice, certainly made an impression on me. At the end of “Requiem,” my heart broke for Zoe and how no one could understand how she really didn’t love Connor.

The comedic relief comes from Jared and Connor. Will Roland is perfect in his own nerdy moments, but plays to Evan’s weaknesses and neurosis; highlighted in “Sincerely, Me” and later in “Good for You.” Mike Faist certainly knew how to shed his Newsies persona, to become the troubled Connor and gets a few funny moments, as he comes back to haunt Evan. Mike gets the chance to show off his vocals, which were a little lost in the large ensemble of Newsies.

As Larry, Michael Park, had a few awkward moments the first time I saw the show. I didn’t understand his character and why he was so stand-offish. Having seen him in Tuck Everlasting, where I loved him as Angus Tuck, I expected a similar reaction in this show, but it wasn’t the same type of role. One of my friends pointed out that his song, “The Wheel,” in Tuck Everlasting was slightly like his character’s arc in this show and “To Break in a Glove” helped complete that. I’m still hoping he’ll do a mash-up of the two songs, someday!

The other highlight for me, besides Ben Platt, was Rachel Bay Jones. I saw her years ago in Pippin, but I didn’t care for that role. I did love the raspy, rocker-edge tone in her voice, but something about her character didn’t connect with me. Oh boy, did she prove me wrong in this show! From “Good for You” to “So Big/So Small,” Heidi had me wrapped up around her little finger. I completely empathized with her pain as a single mom and how she needed to protect Evan. I loved watching her Broadway.com “Show People” interview with Paul Wontorek and learning about her past in the theatre and what kept her away from the stage before making her return in Pippin. She became so relatable to me and I really latched onto her character for this second showing.

Dear Evan Hansen, is truly a work of art, but one that takes a lot out of you emotionally. My second time seeing the show was for my friend, Katie’s birthday and both of us were wiping away tears when the curtain call happened. It’s one that I could see over and over, but it would exhaust me. Perhaps when the cast changes over, I’ll make my way back, but for now, I’m easily satisfied with my two experiences.


Musical Numbers:

Act One:

Anybody Have a Map?

Waving Through a Window

For Forever

Sincerely, Me


If I Could Tell Her


You Will Be Found


Act Two:


Sincerely, Me (Reprise)

To Break in a Glove

Only Us

Good for You

You Will Be Found (Reprise)

Words Fail

So Big/So Small



"Tuck Everlasting" - 05.04.16

Show/Venue: Tuck Everlasting at the Broadhurst Theatre

Date: Wednesday, May 4th, 2016 @ 2pm

Starring: Andrew Keenan-Bolger, Carolee Carmello, Robert Lenzi, Sarah Charles Lewis, Michael Park, Terrence Mann, Neil Haskell

Website: http://www.tuckeverlastingmusical.com/

Is it strange that I never read Tuck Everlasting or watched the movie before I went to see the musical? Maybe? But as an Andrew Keenan-Bolger fan, I was anxious to see it, especially after hearing so many good things about the show after it’s out of town tryout in Atlanta. AKB also mentioned at BroadwayCon that Jesse was easily one of his favorite roles that he’s played to date. However, my friends had given me some mixed reviews; saying it would “do well regionally” and that it wasn’t as grand as they had expected, but I went into the show with an open mind.

Through TodayTix, I was able to get a fourth row, center seat; which was great for all the dances and larger production numbers. Since it was a Wednesday matinee, the theatre was crowded with school children, lending to the excitement and noise level in the theatre. As the show started, the audience gets introduced to the Tuck family; Mae (Carolee Carmello, reprising her role from the Atlanta production), Angus (Michael Park, also from the original), Miles (Robert Lenzi, originating the role on Broadway) and Jesse (Andrew Keenan-Bolger, also from the original). The Tuck family found their way into the woods of Treegap, where they found a spring and drank from it. Little did they know that the spring would stop their aging process and they could never die (“Live Like This”).

Moving ahead several years, we see the Foster family; 11-year-old Winnie (Sarah Charles Lewis, in her Broadway debut), Mrs. Foster/Mother (Valerie Wright) and Nana (Pippa Pearthree), in mourning dress, after the passing of Winnie’s father and Mrs. Foster’s husband. It has been over a year since his passing and Winnie is excited to go to the fair, which is passing through Treegap and for a chance to get out of her gloomy clothing. After a short argument with her mother, Winnie laments about always being the good girl (“Good Girl Winnie Foster”) and runs into a Man in a Yellow Suit (Terrence Mann, Pippin) who works with the fair. He performs a few magic tricks, showing Winnie that he can accurately guess her age by looking into her eyes (“Join the Parade”) and tries to convince her to come to the fair. It’s then that Winnie’s demeanor changes and she follows her pet toad into the woods around her property (“Good Girl Winnie Foster (Reprise)”).

As she runs into the woods, she sees Jesse; who is back in town to reunite with his family after being apart for 10 years. Jesse fears that Winnie has seen him drink from the spring, but distracts here with a tale of imagination and tree climbing (“Top of the World”). During this scene, I was thankful for my seat as the tree reveals a sort of bridge and swing, while Jesse & Winnie climb through the branches and leaves. Shortly thereafter, Miles appears and Jesse reveals Winnie. Fearing that Winnie knows too much about the spring, Miles throws a blanket over her head and carries her back to the Tuck home.

Back at the Foster home, Constable Joe (Fred Applegate) and his apprentice, Hugo (Michael Wartella) are gathering information from Mother and Nana about Winnie’s disappearance. Hugo cannot wait to be a real detective, but seems a big nervous (“Hugo’s First Case”). Constable Joe dismisses Hugo in front of the Fosters, but soon everyone will see how observant Hugo really is.

Back at the Tuck home, Jesse & Miles bring Winnie to Mae and Angus who have to figure out how to explain their family’s secret to Winnie. Immediately, Jesse wants to have Winnie stay with them, so he can have a playmate & companion, he may be 102-years-old, but he still acts like a 17-year-old. The Tuck family explains to Winnie about the spring (“Story of the Tucks”). They also explain why they can only reunite every 10 years, so no one grow suspicious of their ability to never age. As Mae finds something for Winnie to wear, they sift through trunks in the attic and Mae finds the dress that Angus proposed to her in. In a beautiful dance number, Mae recalls how her husband used to be so in love with her and how he used to look at her with passion; certainly this isn’t the case anymore.

As Winnie is about to go to sleep, Jesse wakes her up; he wants them to have another adventure. He convinces her to sneak out of the house, so they can go to the fair. However, they get caught on their way out by Angus. He almost forbids them from going, but after hearing about the loss of Winnie’s father, he decides to let them go out and have some fun.

Jesse & Winnie arrive at the fair and have a wonderful time; playing games, eating cotton candy and running around the fairgrounds (“Join the Parade (Reprise)” and “Partner in Crime”). In the elaborate dance number, Jesse & Winnie play with the other fair workers, as Jesse begins to fall for Winnie; if only she were a bit older. As the fair winds down, the Man in the Yellow Suit reappears with the only game left; the age guessing both. Winnie begs Jesse to stay away, but Jesse just wants to play. As the Man in the Yellow Suit stares into Jesse’s eyes, he’s reminded of a story that his grandmother used to tell him; one about a family that never ages. At first he guesses Jesse is 17, but after another stare, realizes that he is indeed 102-years-old! Jesse & Winnie flee the fairgrounds and escape to the top of a silo.

As the two of them sit on the silo, Jesse proposes that Winnie should drink the water from the spring in 6 years, so then she will be 17, like him (“Seventeen”). The Man in the Yellow Suit is lurking in the shadows and hears of Jesse’s plan and learns that he has finally found the family he has been searching for. He then heads to the Foster home to tell them that he has found Winnie, but has a business deal for them.

The Man in the Yellow Suit realizes that he can trade Winnie in for ownership of the woods on the Foster’s property, the same woods that house the spring the Tuck family has been drinking from for decades. He will then bottle the water from the spring and sell it for a profit; stay young forever and be rich! (“Everything’s Golden”)

Back at the house, Jesse reveals his plan to have Winnie drink from the spring in 6 years (“Seventeen (Reprise)”) and the rest of the Tuck family agree that this is another one of Jesse’s stupid ideas. Miles appears and sees that Winnie is dressed in the clothing that used to belong to his son, Thomas. In a scene that brought tears to my eyes, Miles tells Winnie the story of Thomas and his wife. Before the Tuck family knew about the magical powers of the spring water, Miles got married and had a child. By the time the family learned that they couldn’t age, Miles’ wife was convinced that he was possessed, took Thomas and left Miles alone (“Time”).

Back at the Foster home, the Man in the Yellow Suit is convincing Mother and Nana to sign over the woods on their property to him (“Everything’s Golden (Reprise)”), when Constable Joe and Hugo appear. They know there is something suspicious about the Man in the Yellow Suit and start questioning him, with Hugo noticing all the odd details; Mother holding paperwork for a “business transaction,” that the Man cannot elaborate on. As the Man in the Yellow Suit leaves, Constable Joe and Hugo talk over the odd situation (“You Can’t Trust a Man”).

After Winnie learned about Thomas, Angus takes a moment to talk with her. Angus explains to Winnie why aging is important (“The Wheel”) and tries to convince her that she does not need to drink the spring water. Seeing Angus as a fatherly figure, she starts to think if it’s really worth spending forever with Jesse. Maybe she should experience life and grow up?

The Man in the Yellow Suit has left the Foster’s home and is on the way to the spring in the woods. It’s here that he runs into Jesse, gathering water from the spring to give to Winnie. The Man tries to stab Jesse, but realizes he cannot die. Shortly thereafter, the entire Tuck family appears and confronts the Man. The Man tries to grab the vial of water from Jesse, but he tosses it to Miles. The Man then grabs Winnie, puts a gun to her head and makes her his hostage. Mae then uses the butt of Angus’ shotgun and hits the Man over the head, knocking him unconscious and effectively, killing him. Winnie is free, but Constable Joe and Hugo arrive and see the Man in the Yellow Suit’s body. They are going to charge Mae to death by hanging; which we all know won’t work, when Winnie steps up to say she did it and acted in self-defense. Constable Joe knows he cannot charge a child and encourages the Tuck family to leave Treegap and never come back.

Hugo offers to return Winnie home, as Jesse reminds Winnie to wait 6 years for him. When Winnie returns home, she cannot decide what to do with the water from the spring. Does she want to grow up and have a rich, fulfilled life or should she stay 17 forever and be with Jesse? (“Everlasting”) Suddenly, Winnie’s toad reappears, as Hugo almost flattens him with his foot. It’s then that Winnie knows what to do; she pours the water onto her toad, giving him eternal life.

In the finale (“The Wheel (Reprise)”), we see Winnie begin to grow up; she turns 17, she starts dating Hugo, they get married, they have a child (Neil Haskell, So You Think You Can Dance, Bring It On, Hamilton), her child grows up, her Nana passes, her mother passes, Hugo passes through a gorgeous and beautiful ballet.

Overall, I had a great time at the show. I enjoyed the story, even if I was a little creeped out at 30-year-old Andrew Keenan-Bolger trying to look 17 and tell a real 11-year-old to “wait for him.” I was very touched by the finale ballet, watching Winnie be played by Sarah Charles Lewis, Deanna Doyle and Jennifer Smith (A Gentleman’s Guide to Love and Murder) at various ages and by Robert Lenzi’s solo, “Time.”

It was great being so close to the stage, since I’ve been a fan of Neil Haskell since his appearance on SYTYCD and have seen him in several other Broadway shows. I was impressed watching him dance and the hard-working members of the ensemble, as they went through their multitude of costume changes. The big dance number in “Partner in Crime” was my favorite of the show; watching them leap, tap and twirl around the stage.

I even stayed around at the Stage Door to speak with AKB and Robert. I didn’t get a chance to see Carolee Carmello or Sarah Charles Lewis, but the energy at the door was great, despite the rain. I’m not sure how much longer the show will stay on Broadway, but I hope to go back at another time to see it again and I can’t wait to get a copy of the cast recording when it comes out.

Musical Numbers:

Act One:

Live Like This

Good Girl Winnie Foster

Join the Parade

Good Girl Winnie Foster (Reprise)

Top of the World

Hugo’s First Case

Story of the Tucks

My Most Beautiful Day

Join the Parade (Reprise)

Partner in Crime



Act Two:

Everything’s Golden

Seventeen (Reprise)


Everything’s Golden (Reprise)

You Can’t Trust a Man

The Wheel

Story of the Man in the Yellow Suit


The Wheel (Reprise)